Monday, July 2, 2012

Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras

Best Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras




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Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras Reviews


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Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras

Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras Overview:


  • EF mount; telephoto zoom lens
  • Ultra-low Dispersion glass; inner focusing; full-time manual focus
  • 70-200mm focal length
  • f2.8 constant maximum aperture
  • UltraSonic Motor (USM)

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Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras



Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras Reviews


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104 Reviews
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 (97)
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 (7)
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215 of 221 people found the following review helpful
5.0 out of 5 stars The L-lense that puts the L-lense on the map, July 14, 2005
By 
J. Chen "weez" (Cali, USA) - See all my reviews
(REAL NAME)   
This review is from: Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras (Camera)
Canon's legendary L-lense reputation is built on lense such as the 70-200mm F/2.8, this is the lense that gives the credit to the WOW factor associated with Canon L lense. Sharpness, constrast is second to none.

I know many people are probably deciding between the F/4L F/2.8L and the F/2.8L IS. If you want the most bang for the buck go for the F/2.8L. Why, because if you're serious enough to buy the F/4L you will eventually migrate to this F/2.8L (like many photographers), why because there is nothing going to speed up your shutter speed better than the f/2.8 at the long end when compared to F/4 especially for fast moving targets. Another big advantage is the canon 2x extender which boost this lense to 400mm at the long end with great results and at F/5.6, it is one of the best performing combo at 400mm focal length especially considering the price of a 400mm lense by itself.

If you have cash to burn go for the IS version, but cost increase is a bit steep... Read more
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176 of 181 people found the following review helpful
5.0 out of 5 stars You get what you pay for, September 27, 2004
This review is from: Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras (Camera)
This was my first L lens and I am very pleased; zero buyer's regret for me.

When I first started to seriously consider buying one of the 70-200mm lenses I wasn't sure which to buy. I first thought about buying the f/4 version because it was cheaper but then found out the f/2.8 comes with a case (~ $40), tripod ring (~ $120), and a hood (~ $35) in addition to the extra stop in aperture. For the $600 difference it reduces down by about $200 by including additional stuff that you, frankly, should have.

Most notably is the tripod ring which takes the lens weight off the camera body but also balances the camera at the tripod mount. With the f/2.8 attached to my 300D it balances just fine on the tripod foot (even with a EX550 flash). In shooting with a tripod it's very easy to rotate the lens within the ring to go from landscape to portrait without off-balancing the weight.

The extra weight is an issue depending on your muscular build. I can shoot for a... Read more
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216 of 225 people found the following review helpful
4.0 out of 5 stars Auto-focus is super fast, quiet and spot on, June 15, 2007
By 
Grant Brummett (Arizona USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
Amazon Verified Purchase( What's this?)
This review is from: Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras (Camera)
01-01-2009 Canon 5D Mark II Update

Bokeh

Well, the reach my be less but man on man the Bokeh of this lens using the 5D Mark II has to be seen to be believed. Much smoother creamier and richer on the 5D Mark II. Something like double the Bokeh since you can get twice as close, just make sure when shooting at F/2.8 you have enough dept of field.

Sharpness and clarity

The sharpness and clarity wide open at F/2.8 that was just Ok on the 40D is much improved for some strange reason on the 5D Mark II. I would not have figured it this way but it's just plain better. Putting this lens on the 5D Mark II has transformed it from a so so lens to a sharp, high clarity monster even wide open. You wouldn't know it was the same lens I has used on the 40D.

Reach:
The reach of the lens on a full frame sensor camera is half but when indoors shooting weddings this can be a good thing. On the cropped sensor cameras you often find yourself... Read more
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